Srbija Posted November 17, 2022 Share #1 Posted November 17, 2022 Filmmaking In A Box: Indie Feature Film Masterclass Last updated 5/2019 MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz Language: English | Size: 16.72 GB | Duration: 19h 44m (20+hrs) Watch & Learn the Entire Filmmaking Process of Directing a Low Budget Feature Film. Real Life Film School What you'll learn Comprehensive explanations on lighting and recording sound for every day of production Examples of the contracts, permits, call sheets What it's really like to make a feature film Requirements Anyone who wants to learn to make a feature film on a budget Description Join over 33,000 students learning from our courses!You can spend tens of thousands of dollars on film school, you can work as a production assistant for a decade and hope to move up the ladder - or you can GET OUT THERE AND MAKE YOUR OWN MOVIE! FILM SCHOOL IN A BOX shows you - in every possible detail - how one team of Hollywood professionals made, and commercially released, a movie on a micro-budget of $100,000. YOU CAN TOO!FILMMAKING IN A BOX has over 20+ Hours of real world lessons they DON'T teach you this in Film School! This course is unlike anything you've ever seen. Seriously. If you're a lover of movies who dreams of getting behind the camera, you know you own dozens of DVDs with behind-the-scens material that you've watched 100 times. Right?But, seriously. When are you going to get the chance to be standing in a field surrounded by 10,000 extras all in custom-made armor filming with 20 cameras? Chances are your first film (or even your second or third) are going to be significantly smaller in scale than that.FILMMAKING IN A BOX is the ultimate behind-the-scenes look at the making of a micro-budget(meaning REALISTIC BUDGET!) feature film. This is a look into how a professional near-no-budget film is made - with EVERY DETAIL available at your fingertips!--------------------------------------------------------------------------------------------------------"It shares the kind of lessons that can usually only be learned by doing. Not a lecture, not a seminar, just the honest, accurate, moment-to-moment account of everything it takes to put a film together."Earl Newton, Executive Producer/Creator Stranger Things--------------------------------------------------------------------------------------------------------How Can FILMMAKING IN A BOX Help You?FIB examines the EVERY detail of the making of an independent movie called 2 Million Stupid Women (a comedy written by a woman!), which was made for only $100,000, made within the "Hollywood" system.FILMMAKING IN A BOX has ton of INCREDIBLY detailed behind-the-scenes interviews and footage covering every stage of the prep, production and post-production . You'll get interviews and conversations with all key members of the production team: the director, the producers, the writer, the cinematographers, the editor, the production sound mixer, the post production sound designer, the assistant director and more! These are not marketing fluff interviews - these are uncensored, honest and straight-to-the-point discussions about every pitfall, conflict and negotiation required to complete the project.In addition - you also get hundreds of pages of the actual documents used to make the film: the full budget (yes! the REAL full budget, line by line see how the money was spent), the schedule, call sheets, every contract, director's notes and MORE.FILM SCHOOL IN A BOX will take you, step-by-step, through the exact process this team took to mount an independent feature film from the ground up. FILM FILM SCHOOL IN A BOX shines a light on every potential misstep and lucky break that can fall into a first-time (or second or third!) filmmaker's lap.--------------------------------------------------------------------------------------------------------"I wish something like this existed when I was starting out... No bulls**t; the next best thing to actually being there with the filmmakers while they were making it!"Mark Bell, Owner/Publisher/Editor-in-Chief, FilmThreat--------------------------------------------------------------------------------------------------------To get a real idea of what's inside, you need to see the FULL TABLE OF CONTENTS (link below!), but - just as a sample FIB includes:The complete filmmaking experience all in one package. Over 17 hours divided into 108 individual video modules covering:• Development • Funding • Contracts • Casting • Rehearsals • Locations • Lighting • Sound • Cameras • Production Diary • Editing • Score • Music • Post Production SoundWe also include all the production documents we used: • Full Budget • Schedule • Screenplay • Call Sheets • Casting Notes • ContractsFILMMAKING IN A BOX also includes such unique features as • Audition footage • Rehearsals with the actors • The complete, pre-mixed, rough-cut of 2 Million Stupid Women • The entire table read with the cast and filmmakers of 2 Million Stupid Women • Comprehensive explanations on lighting and recording sound for every day of production • Behind the scenes footage shot during principle photography • Examples of the contracts, permits, call sheets, sound reports, and dozens of other pertinent documents used during production • Over 100 individual video modules detailing every single element of pre-production, production and post-production • The final release version of 2 Million Stupid Women • And even more.FIB is a must-own for anyone thinking of making their first, second or even third feature filmIt is beyond anything you can learn from film school or filmmaking tips in a book.This is as close to the experience of actually making a movie as you can get - without actually doing it. Through candid, first-hand anecdotes, hard-earned by actual independent filmmakers, FILMMAKING IN A BOXwill help prepare you for what to expect before you ever step foot on set. Whether you're prepping your first film, or you're simply curious what goes into making an independent film, FILMMAKING IN A BOX is an essential tool of every aspiring filmmaker or video creator.If you've got the dream.If you've got the drive.If you've got the passion - but you're missing the knowledge and experience...Filmmaking in a Box will help you make your film into a reality.Enroll NOW and learn how to make a low budget feature film! Let's get started! Overview Section 1: Pre-Production: Development and Gearing Up Lecture 1 The Script Lecture 2 The Budget Lecture 3 Why This Film, This Way? Lecture 4 Contracts Lecture 5 Getting the Deal Lecture 6 Creating a Schedule Section 2: Pre-Production - Casting an Indie Film Lecture 7 Using Non-Union Actors Lecture 8 Working with a Cast Director Lecture 9 The Casting Process Lecture 10 Casting Lead Role #1 - Melissa Lecture 11 Casting Lead Role #1 - Original Audition Lecture 12 Casting Lead Role #2 - Anna Lecture 13 Casting Lead Role #2 - Original Audition Lecture 14 What are Chemistry Callbacks? Lecture 15 Chemistry Callbacks - Melissa and Anna Lecture 16 Casting Lead Role #3 - Todd Lecture 17 Casting Lead Role #3 - Original Audition Lecture 18 Final Chemistry Read Lecture 19 Chemistry Read - Todd, Melissa and Anna Lecture 20 Casting Supporting Roles - Jim Lecture 21 Casting Supporting Roles - Original Audition Lecture 22 Casting Additional Roles Section 3: Pre-Production: Rehearsals and Table Reads Lecture 23 The Table Read Lecture 24 Rehearsal - Character Study Lecture 25 Rehearsal - 1st Improv Lecture 26 Rehearsal - 2nd Improv Section 4: Production: Planning and Logistics Lecture 27 Production Meeting Lecture 28 Day One: Production Moves Lecture 29 Day One: Camera and Lighting Lecture 30 What is a Walk Away Meal Lecture 31 Day One: Sound - Beveled Glass Lecture 32 Day One: Sound - 7-Eleven Store Lecture 33 Adjusting Call Times & Background Make-up Lecture 34 Camera Department - DIT Workspace Lecture 35 Start Times and Turn Around Lecture 36 When to Serve Your First Meal Lecture 37 Sound on the Shotmaker Lecture 38 Driving and Ambient Lighting Lecture 39 Shooting Guerrilla Style (Totally Illegal) Lecture 40 Planning the Night Club Lecture 41 Production: Creature Comforts Lecture 42 Sound in Small Spaces Lecture 43 Dealing with Puke and Waredrobe Lecture 44 Planning the Big Party Night Lecture 45 Cash vs Checks Lecture 46 Creating a Visual Style Lecture 47 Dueling Cinematographers Lecture 48 Duel Camera Coverage Lecture 49 Recording Great Production Sound Lecture 50 Working with the Script Supervisor Lecture 51 Wardrobe Lecture 52 Locations Lecture 53 Permits Section 5: Production - Day 1 Lecture 54 Day 1 - Location Lecture 55 Day 1 - Lighting Lecture 56 Day 1 - Sound Lecture 57 Day 1 - Production Diary Section 6: Production - Day 2 Lecture 58 Day 2 - Location Lecture 59 Day 2 - Lighting Lecture 60 Day 2 - Sound Lecture 61 Day 2 - Production Diary Section 7: Production - Day 3 Lecture 62 Day 3 - Location Lecture 63 Day 3 - Lighting Lecture 64 Day 3 - Sound Lecture 65 Day 3 - Production Diary Section 8: Production - Day 4 & 5 Lecture 66 Day 4 & 5 - Lighting Lecture 67 Day 4 & 5 - Sound Lecture 68 Day 4 - Production Lecture 69 Day 4 - Camera Lecture 70 Day 5 - Production Diary Section 9: Production - Day 6 Lecture 71 Day 6 - Locations Lecture 72 Day 6 - Lighting Lecture 73 Day 6 - Sound Lecture 74 Day 6 - Production Diary Section 10: Production - Days 7, 8, 9 & 10 Lecture 75 Days 7, 8, 9 & 10 - Location Lecture 76 Days 7, 8, 9 & 10 - Lighting Lecture 77 Days 7, 8, 9 & 10 - Sound Lecture 78 Days 7, 8, 9 & 10 - Production Diary Section 11: Production - Day 11 Lecture 79 Days 11 - Locations Lecture 80 Days 11 - Lighting Lecture 81 Days 11 - Sound Lecture 82 Days 11 - Production Diary Section 12: Post Production: Editing the Beast Lecture 83 Building the Credit Sequence Lecture 84 How to Find an Editor Lecture 85 The Editor's Audition Lecture 86 Editing - The Process Lecture 87 Editing - Organization Lecture 88 Editing - The Rough Cut Lecture 89 Editing - The Test Screening Version Lecture 90 Editing - Additional Shooting Section 13: Post Production: Sound and Music Lecture 91 Finding Music Lecture 92 Scoring Through Social Media Lecture 93 How to Approach the Artists Lecture 94 Music Contracts & Releases Lecture 95 Sound on a Limited Budget Lecture 96 Sound Editing Lecture 97 Sound - Dialog Editing Lecture 98 Sound - Music Editing Lecture 99 Sound - ADR Lecture 100 Sound - Foley Lecture 101 Sound - Pre-Mix Lecture 102 Sound - Final Mix Section 14: Watch The Movie Lecture 103 Two Million Stupid Women - Final Version Section 15: Bonus Materials Lecture 104 BONUS: What DO You Want to Learn Next? Lecture 105 Interview with the Writer of Two Million Stupid Women Lecture 106 WGA Writer's Strike Lecture 107 IFH Podcast: Why Are Filmmaker so F*ing Broke? Lecture 108 Understanding Light Quality Hard and Soft Light Lecture 109 What is Dynamic Range? Lecture 110 Introduction to HDSLR Cameras Lecture 111 How to Repair an Arri Fresnel Film Students,Filmmakers,Screenwriters,Videographers,Content Creators Homepage Hidden Content Give reaction to this post to see the hidden content. Hidden Content Give reaction to this post to see the hidden content. Hidden Content Give reaction to this post to see the hidden content. Hidden Content Give reaction to this post to see the hidden content. Link to comment
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